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  • A man challenges another; exhibiting boldness, classed phrenologically under the 'propensity' of combativeness. Steel engraving by Contenau, 1847, after H. Bruyères.
  • A soldier in the Prussian army. Drawing, c. 1794.
  • The angel, announcing the birth of Christ, comes with a sceptre to the Virgin. Tinted lithograph by N.J. Strixner, 1821, after School of Meister Wilhelm.
  • The angel, announcing the birth of Christ, gives a lily to the Virgin. Lithograph by F. Decraene after B. Murillo.
  • A man with a large, protruding head walking with a heavy gait; illustrating the reflective faculty in phrenology. Steel engraving by A. Devrits, 1847, after H. Bruyères.
  • Bazile and Bartolo, characters from a story by Beaumarchais, representing the phrenological 'propensity' of secretiveness. Steel engraving by Geoffroy, 1847, after H. Bruyères.
  • Hands in various gestures, including prayer and benediction. Engraving after C. Le Brun.
  • An introverted and an extroverted man; exhibiting excessive and lacking propensities connected with the faculty of causality (reflective thought) in phrenology. Steel engraving by E. Monnin, 1847, after H. Bruyères.
  • The four holy women lament over the dead Christ. Engraving by Annibale Carracci, 1597, after himself.
  • The Virgin and Saint Mary Magdalene lament over the dead Christ. Line engraving by L. Kilian after H. von Aachen.
  • An artist measures a model of the human body from a distance with one eye shut; representing the faculty of perception in extended space in phrenological classification. Steel engraving by J-I-L. Desjardins, 1847, after H. Bruyères.
  • The four holy women lament over the dead Christ. Line engraving after Annibale Carracci.
  • The Visitation of Mary to Elizabeth. Engraving by C. Cort, 1602.
  • Peter denies knowledge of Christ; men play dice. Engraving by P.F. Basan after M. Österreich after Valentin de Boulogne.
  • The Annunciation to the Virgin, who kneels at a prie-dieu. Engraving by P. Pontius after C. Schut.
  • Lamentation over the dead Christ. Engraving after P. de Champaigne.
  • Christ stands before the high priest; Peter denies knowledge of Christ. Line engraving by B. Bartoccini after F. Overbeck.
  • (Above) A man receiving a command from another, showing postures of timidity and arrogance; (below) a prisoner sits manacled while one gentleman prays and another waits with a sword, showing postures of prayer, desire for liberty, and fatuity. Coloured lithograph, ca. 1854.
  • The Annunciation to the Virgin in her room. Engraving by C.J. Visscher (?).
  • Jesus appoints Peter as head of the church. Engraving by Clark and Pine, ca. 1719.
  • The Virgin looks up at the announcing angel; cherubs spin in a circle around the Holy Spirit. Engraving after J. Callot (?).
  • A crowd watches as two men gamble; representing the phrenological faculty of acquisitiveness. Steel engraving by L.A. Portier, 1847, after H. Bruyères.
  • The Annunciation to the Virgin. Engraving by C. Cort after Titian.
  • John the Baptist embraces Jesus, whom he has been awaiting. Engraving by G. Rousselet after G. Reni.